Set Mode to Agented

I’m thrilled to announce that I’ve signed with Sara Megibow of Nelson Literary Agency (http://www.nelsonagency.com/) to be my literary agent. Sara is well-connected, energizingly enthusiastic, and the team at Nelson Literary is, in my opinion, in a fantastic place to help support their authors in these tricky confusing times in publishing.

Sara is working with me on GEEKOMANCY right now, and I could not be more excited. More news as it arrives!

Adventures in Book Country

My Book Country story actually goes back to when I was a teenager.  My father works at Random House, currently as a divisional sales manager, formerly as a sales representative in the Midwest.  I first met Colleen Lindsay, the Community Manager for Book Country, through my father and his work at Random House.

Since I started getting really serious about writing, I looked her up again and started following her social media efforts.  We ran into one another at my first BEA in 2009, and stayed in touch here and there since.

Going into Book Country, I was already a little of an insider, with a personal connection to one of the staff. I also made an effort to stop by the Book Country booth each day during Book Expo last year, to chat and have a break from work but also to meet everyone and make connections.

In my first few months on Book Country, I tried to be very active, starting a lot of discussions and trying to post widely. I found myself gravitating to the ‘getting an agent’ portion of the discussions, since I was neck-deep in querying for Shield & Crocus.

I think that being a beta user, being active at the beginning, and focusing my efforts in one area all helped my exposure to other users. I also agreed to do an interview with Dana Kaye, Book Country’s publicist, as a part of their efforts to get regional media attention for Book Country and their authors. That interview hasn’t lead to any other media hits, but it was good practice for me and showed my investment in Book Country – I really believe in what they’re trying to do, and I think we’re already seeing the results it can bring, with fellow betafish (beta user) Kerry Schaefer getting a two-book deal with Berkeley: http://www.mediabistro.com/galleycat/kerry-schafer-lands-book-countrys-first-deal_b45120

The first project I posted was my New Weird Superhero novel Shield & Crocus, which I’ve had on the market for a year and a half or so, querying agents.

Last December, after finishing the first draft of Geekomancy, I decided to put the whole revision process on Book Country, uploading the first five chapters of my initial draft and intending to update it as I went.  It’d give me a larger feedback community during the revisions, and it seemed like a cool thing to try.

There are two big things that I think helped draw attention to Geekomancy in specific. The first was when the Book Country Editorial Coordinator, Danielle Poiesz, followed my book — I know at least I will scour her ‘following’ list to get a sense of what projects might be worth reading, so I bet others do as well.

The other one was that one user, after reading and reviewing Geekomancy, went onto a thread of ‘recommend other people’s projects on Book Country’ thread and gave a strong recommendation.

I can’t be sure what factors exactly lead the editors to look at my project in specific, but those are what I can point to as possibilities, for anyone playing at home and considering participating in Book Country themselves. I had fairly positive thoughts about it before this last run of excitement, since it can be helpful to get reviews from people you don’t know, some of the discussions are enlightening, and the staff brings in professionals to do articles and twitter chats on a regular basis.

This week, I got not one but two manuscript requests for Geekomancy, both from editors at major houses.  They’d found the first five chapters of the rough draft that I’d posted on Book Country (totaling about 17K words) and asked to see the rest.  I was floored, and sent each notes that I was happy to submit the full manuscript but that it was quite rough and I was in the middle of revisions.  Each of them opted to read the as-is version rather than waiting for revisions (as I offered to submit more polished versions later).

That has gotten a lot of attention from my writer friends, and several have asked to hear more about Book Country, hence this post.  If you have any other questions about Book Country I’d be happy to answer them to the best of my ability.

RJ Blain, another Book Country betafish, posted a really good beginner’s guide to Book Country, which I will shamelessly link to now: http://rebeccablain.com/2011/12/14/on-book-country-user-guide-information/

Geekomancy Rough Draft

Last week, while I was in NYC for sales conferences, I stole away time and finished the first draft of my novel, Geekomancy.  I’ve been working on it off and on since Thanksgiving 2010, though it originally started as a weekend’s diversion during the break, a ‘this is a fun little idea so I’ll play with it a bit and then put it away’ to while away the weekend and get some perspective on my ‘real’ project, Children of Bladecraft, a YA fantasy novel which I will return to after Geekomancy is on the market.

The problem was, it was far too fun to write.  For Geekomancy, I got to take my years of working at a game store, my time as a barista, and a young lifetime of geeky references and genre-mashing ideas and put them into one place to go crazy.  It was at times the easiest and most difficult novel yet for me (fifth started, fourth completed), as I pushed myself to make it fun but also hit the emotional notes as hard as I could for the characters.

I’m very excited to get it in front of some discerning readers and get feedback on how to make my revisions as efficient as possible.  I’d love to get the book on the market by the end of 2012, which is a much faster development cycle than I had for Shield & Crocus.  I wrote S&C over one year, from 2007-2008, but have done at least one major revision a year since then, including this year, and it’s been on the market for about 18 months.  I’ve put the project up on the writing community Book Country (www.bookcountry.com), as well as submitting it to the novel contest in my online writing group (www.codexwriters.com).  I’ve had a very productive year in 2011, despite big seasonal chunks of no-writing thanks to work.

Between now and the end of the year, I’ll be focusing on my short fiction, returning to the pieces I wrote this summer for the Clarion West Write-a-Thon.  I need to revise one piece, finish another, and finish expanding the third, which tried its best to be flash fiction but will end up being a 3-4K short story.  One day I will write a functional flash piece, I swear.

I’m also hoping to hear back from one or both of the agents who currently have the fulls of Shield & Crocus, and maybe even the editor who has it as well (though that was sent off about three weeks later than to the agents).

Part of my ‘finished the novel’ celebration is that I’m reading Urban Fantasy again.  I try not to read the subgenre that I’m writing while I’m in a first draft, so as to avoid too direct of an influence from work.  But in the time I’ve been writing Geekomancy, there’s been a pile of UF novels that I’ve stacked up to read once my brain wasn’t in First Draft Mode.  Right now I’m enjoying Seanan McGuire’s A Local Habitation, and I am going to do my best to plow through the Dresden Files before I dive fully into revisions on Geekomancy.

My writerly theme for this year seems to have been Building Momentum, and I hope that it leads to a 2012 of Things Happening (Big and/or Small).

Review: Darker Still by Leanna Renee Hieber

I met Leanna this spring at a party during BEA, and was excited to read her YA debut Darker Still: A Tale of Magic Most Foul.  

Here’s the setup (from the book’s page on goodreads.com):

New York City, 1882. Seventeen-year-old Natalie Stewart’s latest obsession is a painting of the handsome British Lord Denbury. Something in his striking blue eyes calls to her. As his incredibly life-like gaze seems to follow her, Natalie gets the uneasy feeling that details of the painting keep changing…

Jonathan Denbury’s soul is trapped in the gilded painting by dark magic while his possessed body commits unspeakable crimes in the city slums. He must lure Natalie into the painting, for only together can they reverse the curse and free his damaged soul.

Gothic literature is not really my wheelhouse in what I prefer for my reading, but I do appreciate a well-told moody tale.  Darker Still bears the gothic legacy, but is, for me, brighter and more optimistic than many gothic horror stories I’ve known.  I’d classify this as YA Historical Fantasy rather than horror, though there are some solidly spooky bits.

The story moves along at a good pace, and the main character, Natalie, is well-done for me, yearning for a way to connect more effectively with the world despite her psychosomatic mutism that developed after the death of her mother years ago when Natalie was only four.  The romance plot develops fairly well, with the external threat providing intensity that fuels the rapid development of their relationship.

My main complaints with the novel come from characters other than Natalie.  In my reading, I found the love interest Lord Denbury too perfect by half.  He’s a Magic Shiny Perfect Gorgeous Rich Boyfriend.  His only faults are external and situational, rather than being  character defects.  He’s stuck in a portrait, and that’s a big obstacle that he and Natalie spend the book fighting, but I find it hard to connect with a character who is only ever described as wonderful and awesome.  He’s generous, compassionate, progressive, and courageous.  Since the book is told in epistolary form through Natalie’s POV, I get that she focuses on his positive aspects, but I was waiting for him to show something less than perfection.  He slips from Total Perfection only once, and it is explained away by the narrator very quickly, rather than lingered on with any doubt.

Natalie’s main donor figure/mentor in the book, Mrs. Northe, is shown with some hubris and flaw, but she is wholly supportive of Natalie at all points — this is a recurring feature I’ve seen in many YA novels — the presence of totally and unquestioningly supportive adults who enable the teen heroes to pursue their goals.  If done well, I don’t tend to mind, but I’ve seen that archetype appear enough to be notable.  The story is never theirs, it’s always the teen hero’s story, so they just play through being an Awesome Donor Figure.  The only time it annoys me is if the Awesome Donor Figure seems to be unrealistically supportive and/or without fault or personal agenda.  Everyone has their own goals, and if the character is always uncomplicatedly useful, I think it can detract from the hero’s journey (and Hero’s Journey, since I’m talking about Donor Figures).  I think Mrs. Northe stays on the rounded side of annoying for me, but she is suspiciously Always Supportive of a girl she’s just met, which makes me hope there will be some complications in future books that show her agenda as not always lining up with Natalie’s own.

Overall, I found Darker Still to be well-paced, finely written, and satisfactory even while being not my usual cup of tea in fantasy.  It’s well set up for sequels, and I hope to see more roundness of character from Lord Denbury in the sequels.  I’d definitely recommend it to teen readers looking for something with cool historical bits, or for fans of Wilde’s A Portrait of Dorian Gray, which provides a fair bit of the conceptual DNA of the book’s magical portrait.

The Next Step for OWS?

https://sites.google.com/site/the99percentdeclaration/

This site puts forward a call to elect delegates from each congressional district and any other U.S. territories for people to represent the 99% at a National General Assembly in Philadelphia on July 4, 2012.  Those delegates will meet to draft a formal Petition for Redress of Grievances to present to the president, Congress, and Supreme Court.  There is a preliminary list of grievances/resolutions on the site, and while almost impossibly ambitious, I find the list very much in line with my own thoughts.

This is the kind of forward momentum that I think OWS needs to achieve real change in the U.S.A.  The structure strikes me as very pie-in-the-sky idealistic, which I find commendable, if probably challenging.  Th list of resolutions is large, tremendously ambitious, but calls for steps which I think, for the most part, should be taken.  Any two or three of the resolutions could sit and be argued for an entire session of Congress, but for now I think showing organization and cohesion, but maintaining the flexibility (this list is subject to change, etc.) is a very good move.  It’ll be interesting to see how wide this part of the message is spread, whether it is echoed by the other local Occupy communities, and whether the National General Assembly comes together.   I will be watching with great attention.

Some thoughts on OWS and U.S.A. Politics

Reminder:  these thoughts are only my own, and don’t intend to represent anyone else.

Guess who is #1 in this list?  My hometown, Bloomington, IN:

http://www.businessinsider.com/the-most-unequal-cities-in-america-2011-10.

This is not just a New York issue, an Oakland issue, or a Big City Issue.  It’s everywhere, as evidenced by the reportedly 1000+ Occupy sites around the country and beyond.

For Bloomington, my best guess is that the town’s small population overall (in comparison to the other cities on the list) makes it easier for a small number of rich oligarchs to swing the numbers.  Between the coaching staff of the sports teams, the other IU bigwigs and the Real Estate moguls, they easily overpower the undergrads, grad students, underpaid staffers, service industry workers and those left behind by shrinking/fading industry in Bloomington.

More broadly: I’ve been following the Occupy Wall Street for a while now, almost since the beginning thanks the joys of getting your news from social media in addition to broadcast/cable news.  I totally support the Occupy movement in their efforts to draw attention to the economic, political, and legal inequity in the USA.

As a movement run mostly on consensus and non-heirarchical decision-making, it’s hard for OWS to show a unified face and singular list of demands.  There are as many frustrations and ideas as people involved, more even.  There are many things in this country I’d like to see changed, from campaign finance reform to lobby reform, sentencing equality, repealing the Bush tax cuts, and more.  But my list of things to fix is likely to be just slightly different from someone else’s, and because there is no One Leader of OWS, the heterogeneous opinions remain, making it harder to get across a clear message in the manner of a campaign platform.

It’s been interesting to watch OWS for many reasons, but one of the big ones is seeing consensus decision-making getting attention — I lived in a grad student Co-operative for two years, and we used a consensus system for all major house decisions, from our ‘shoes off’ policy to how to spend our food budget to how to assign tasks to housemates.  Consensus is a fantastic system if well-implemented, and if the people making the decisions are all committed to working together as a community.  At the end of the day, we all still lived together, saw one another every day, were friends and colleagues.  Trying to make consensus work with larger groups or with people who don’t know each other as well, who have the chance to easily opt-out without major consequence is likely to be more difficult.  I wish them the best of luck, and the whole process makes me remember my co-op time fondly.

Occupy has gotten a lot of attention over the last few weeks from major media outlets, even after a delay in picking up the stories.  The violent evictions of Occupy Oakland, Occupy Boston and now Zuccotti Park have only increased the profile of the Occupy activities, and exposed a number of what I perceive as abuses of power by police, conspiracy to suppress free speech and legal but objectionable use of the letter of the law to control the activists.  Legally, the private owners of Zuccotti Park have the right to change the rules of use of their property, and it isn’t a violation of the 1st Ammendment — the problem is that the seemingly public spaces are not actually public when the Powers-that-Be don’t want them to be — allowing Bloomberg to restrict how and where the Occupy Wall Street activists can practice their rights.

All protests, when they reach a certain level, are illegal.  They may be re-cast as necessary and just by the pen of history, but from the perspective of the law, many were illegal.  And when the law prevents you from making the point that you feel powerfully you need to make, you either accept that you will be arrested or you do everything you possibly can to stay within the bounds of the law.

Here are things that Occupy groups can do, and I hope they are already doing (among other things):

If they receive notice that they are not allowed to use certain seemingly public spaces, make specific petitions asking for permits for protests, asking for safe times and routes, keeping immaculate documentation so that they have evidence to show if denied permits and legal protections.  Turn the legal process into a protection — act within the law so unquestionably that no one can attempt to call you a criminal, and if you are evicted or harassed by police, you can press charges for wrongful arrest, assault, whatever is appropriate.  Now, of course, it’s damn hard to make any of that go if you’re being tear gasses, beaten with a club, or if the officer is evicting you at 1AM and covering up their face and badge.  Find out what the policies are in your locality for police accountability — are they required to give you their name and/or badge number?  What is the official channel for making a complaint about the conduct of an officer, either with the department or their municipal/county superiors?

OWS represents a whole cluster of frustrations, and the longer it goes on, the more I hope that it actually coalesces into a unified or vaguely-consistent set of calls for reform/action, so that the enthusiasm and energy of that frustration can be put into action.  I’m surprised that Democratic candidates haven’t thrown in more aggressively on the OWS side, though of course any of them who are already established are likely to have their own corporate sponsors and are already economically/ethically compromised.

One of the big things I want is for Democrats to grow a backbone.  I’m fine with compromise, in fact, our system is built on it — compromise and checks/balances.  But when compromise seems to mean giving up 95% of what you want on Every Single Thing, you’re doing it wrong.  When the people on the other side of the table consistently hold the process hostage through unprecedented uses of obstructionist tactics and economic extortion, you need to do something about it, even if that something is Ruthlessly hammering home that obstructionism every campaign season.  Things like “Candidate X’ held the U.S. economy hostage to secure tax cuts for the corporations who bankrolled their campaign.”  Things like that.  You don’t have to fight dirty to fight hard.  And there are clearly Dems who are doing it.  Folks like Rep. Debbie Wasserman-Schultz of Florida or Candidate Elizabeth Warren, running for Senate in Massachusetts.  But when I saw Rep. Nancy Pelosi (CA) on The Daily Show, she completely failed (IMHO) to explain why the congressional Democrats have let the Republicans walk all over them in general.  And while I’m too far left for most all of them, the Democratic party is where my voice can best be presented in a way that has any chance of being heard — the current system is rigged against third party candidates, turning them into spoilers that, in practice, only tend to hurt the party closest to them by splitting votes.

The 2012 elections are only going to get more omnipresent in our national attention, I just hope that politicians listen to what the OWS groups have to say as well as the Tea Party and everyone else.  And that the Dems grow themselves some gonads and take to the mat instead of making unhappy sounds and rolling over.

Return to Geekomancy

Following on the enthusiasm and energization of World Fantasy, I am plunging back into work on Geekomancy, my super-nerdy Urban Fantasy.  The crap fairies replaced my solid first draft material with crap, but they’ll do that.  I’m growing more comfortable with my process, modifying my expectations so that the first draft is only expected to be the draft where I throw lots of energy and ideas at the page, getting the metaphorical clay onto the wheel so that I can later spin it into something awesome.

I’m currently at 62K, since I was waylaid by a terrible allergy attack yesterday and got nothing done.  I know there’s a big chunk I need to put in to introduce a character, but first, there’s a big throwdown which will involve blasters, ‘quilted mail’ made out of old convention shirts, and tall shelf-stacks full of other geeky memorabilia.

Thanks to one of the singles from “Ceremonials,” the new Florence + The Machine album, I have the theme for the ending of the novel, now I just need to get there.  I’m guessing that I’ll need another 20-30K of draft to get to the end, including going back and writing in an important character earlier.

 

World Fantasy 2011

I got back from World Fantasy late last night.

This was the fourth WFC that I’ve been to, and the third in a row, following San Jose and Colombus.  This year the con was in San Diego, which was pretty good for temperature, but it was dry as hell (maybe not hell, but dryer than the midwest).

This World Fantasy was a big one for me: I performed my first two fiction readings at a convention, with a personal reading and participating in a group reading.  I also pitched Shield & Crocus to a couple of editors and spent good time talking and brainstorming with client publishers Night Shade Books, Prime Books, and ChiZine Publications.

Reading:

My reading was in the first programming slot on Thursday (3pm) which turned out to be great, since many of my friends/colleagues from the Codex Writers Group were in attendance, as well as some personal friends (Scat Hardcore in the house!).  I rehearsed last weekend and got feedback from my brilliant girlfriend Meg, and was prepared to bring the awesome.  I read most of the first chapter of Shield & Crocus, since I’d just finished the big revision, had it fresh in my brain, and wanted to push the novel to help with things like pitching to agents/editors and such.

Thanks to practice, and my years of training as a performer (gamer, dancer, singer, sales rep), it went marvelously.  I had sound effects and robot voices.  I realized just after banging the wall behind me that maybe the people on the other side of the wall might be disturbed, but no one complained and it had a great effect on my audience.  I’m very happy with that as the first of many public readings in my career.  The group reading went well also, though I had barely 5 minutes due to a scheduling mishap.  There I read from “Last Tango in Gamma Sector,” and didn’t have enough time to get to the emotional breakup scene, but the audience seemed to be amused by the awesomeness of tango-piloted starships.

Social:

Each year, socialization gets easier for me at WFC, since my circles of friends and acquaintances grow after every convention.  Most delightful was seeing my friends from Bloomington, the Scat Hardcore crew who have scattered to the four winds, off to the Bay Area, Delaware, and the Big Apple.  The five of us had dinner on Saturday, and it was lovely.  Second best was continuing to hang with the Codex Writers posse, meeting new people and re-connecting with others.

Professional:

I wear two hats at World Fantasy:  Writer and Sales Rep.  Having the sales-side experience has been great for my ability to contribute to conversations and present myself as a publishing professional, since I have something that lets me stand out from other aspirant and neo-pro writers.  I met several folks on the Night Shade Books staff that I’d communicated with through email but hadn’t talked to in-person, which was great, since my gig on the sales side involves working with people in all departments of a publishing house: editorial, publicity, marketing, sales, and so on.  I also met the main editor for Prime Books, and chatted with the Prime folks on strategy and publishing trends.  I got to check in with the folks at ChiZine Publications as well, and am very excited for their upcoming titles as well as their World Fantasy Award nomination (they didn’t end up winning, but even a nomination is a big honor for any press).

The big win on the writer side was that I’d decided to try to find opportunities to pitch Shield & Crocus to editors, and managed to do so twice, each with presses that have put out work that I greatly admire.  I think either could be a good home for the novel, and I’m looking forward to their responses.

Comic Talk

With the DC New 52, I decided to get back into comics-buying on a regular basis.  For the last few years, I’d been only following a few series, mostly ones put out by my company’s client publishers.  This meant I read Dark Horse, Image, IDW and a few other publishers’ series, but not much more.  I grew up reading comics, though, and I kind of missed it, especially getting to geek out with friends about comics on a regular basis.

So, I took the plunge and subscribed to a handful of New DC comics, as well as nibbling around the edges of a few other series and titles (Marvel’s Generation Hope, X-Men Schism, and now ReGenesis).

My favorite of the new DC series are:

Action Comics:  This is a huge callback to the very first version of Superman, where he was a one-man new deal, taking on robber barons and corrupt officials.  I find this extra-resonant considering the economic climate and the Occupy Wall Street Movement.  It’s nice to have Superman in tune with contemporary political sentiment, and to have him be pro-active and revolutionary rather than a staid defender of the status quo.

Batwoman: This series has gotten less reboot than many others, mostly due to the fact that the character is pretty new.  I highly recommend the first Batwoman trade, Elegy, which seems to be entirely preserved in the New DC.  The new series gives Batwoman a sidekick and puts her in opposition with most everyone else in Gotham, pursuing her own agenda.  The art here (by J.H. Williams III) is phenominal, and pretty much worth buying by itself.

Animal Man: I am really liking this one, though it feels more like a Vertigo title than a straight-up DC title.   The importance of Buddy’s family is pushing this title over the top for me, along with the striking art style.  This is a series you could read pretty well independent of the rest of the DCU and probably be happy.  Special shout-out-recommendation to old Vertigo readers or Sandman fans.

Batgirl:  Barbara Gordon resuming the mantle of Batgirl ruffled a lot of feathers, since as Oracle she was a rare differently-abled/disabled (pick your term) superheroine.  Barbara was crippled in the classic story arc of Batman: The Killing Joke, and in the New DC, she has gone through physical therapy and resumed the mantle of Batgirl.  Simone’s writing here is solid, and the art by Adrian Syaf is well-done, corresponding with the ‘superhero costumers are armor’ paradigm.

Demon Knights:  This is a straight-up action-adventure/sword & sorcery comic starring magic/occult heroes from DC that would have been around in a medieval setting.  Aside from the actual D&D comic, it is the D&D comic.

More to come later.  The problem with reading individual issues again is that it is a lot more expensive than buying trades.  After the first arcs of these DC reboots, I’m likely to subscribe to the trades and back off my weekly purchases to save some $.  But right now, I really enjoy having my weekly pilgrimages to the nerdery.

Look! Shiny!

I’ve decided to try out a new theme for the blog — I’m still working on making all of my social media things line up — I’d love for this blog to post to my personal LiveJournal, but haven’t put the time in making that go yet.  Mostly because when I have a fair bit of free time, I’m trying to focus on writing.

My current project, while I wait for readers to get back to me on Shield & Crocus, is trying to expand and finish a flash piece I wrote this summer.  Said story is making moon eyes at me and asking to become at least a novella, but it is forbidden from doing so.  Stay good, story, stay good!  I don’t need more long-form projects right now, you hear?  I’d love to keep it under 4K, but I at least want it to stay a short story instead of becoming a novelette (as novelettes over 7000 to 7500 words are much harder to place).

The World Fantasy Convention is coming up, and my excitement grows day by day.  It looks like I’ll be participating in a Crossed Genres reading, sharing a selection from “Last Tango in Gamma Sector,” which appeared in issue #19 of the magazine.  It will be my first author reading at a convention, which is a big excitement multiplier.

Currently Reading: The Master and Margarita by Mikhail Bulgakov (one of Meg’s favorite books)
Currently Playing: Deus Ex: Human Revolution
Currently Writing: “Evening Dawn”