Does This Make Me Urban Fanty?

Today, Shaun Duke, co-overlord of Skiffy & Fanty revealed…

 

SKIFFY AND FANTY 3.0!

*Thunderclap*

*Maniacal laugh*

 

Yep, this means that I’m going to be a regular at Skiffy & Fanty, both the podcast and the blog – this includes author interviews, ongoing columns, the Shoot the WISB movie/TV discussions, Torture Cinema, and more. I really like the S&F folk, and it’s been a pleasure working with them already, plotting and scheming. You’ll see a lot of S&F content coming through here in the near future.

10 Rules for Getting the Most Out of Conventions As a Writer

Attending a convention as a writer can be a ton of fun, but it’s also work. You’re putting on your public face, asserting yourself as a working professional, and forging connections that could become an incredible asset in the short, medium, and/or long-term.
Here are some general pieces of advice for professional development and self-care at conventions:
1) Be genuine. Being the best, most generous and excited version of yourself is probably the best support you can give your career in terms of activities at a convention. If you’re naturally shy, you don’t have to put on false airs and try to be a social butterfly, but try to be the friendliest version of yourself. If you excel in small groups, find and build small groups and have those great in-depth conversations. If you’re the life of the party, be the life of the party. But remember that you’re a professional. Each community and con is going to have its own tone, and try to match that tone – some conventions are more academic, others more fannish. Sometimes the enthusiasm will need to be more reserved to fit in, other times you can squee all over the place.
2) Be positive. You’re at the con because of a shared passion for narrative. The people you meet will very likely be your tribe – they’ll get more of your jokes, have read more of the books you love, and should, in general, be ‘Your People.’ That’s really exciting, and it’s great to be enthusiastic.
The back edge of this rule is that I don’t recommend spending much if any time throwing shade or trash-talking other authors or their work. Best-Selling Author’s writing may be drivel in your informed opinion, but that person is a peer, trying to make a living in the same career you’re building for yourself. Plus, it’s bad Karma to cast aspersions. And if you trash-talk in public or in small circles, people may associate you more with that negativity than anything positive, especially if they happen to love Best-Selling Author’s work. Thoughtful critique is fine, especially in small circles of colleagues/peers.
3) Take care of yourself. This ranges from making sure you eat enough (recommended two meals a day minimum, or whatever you need to function, whatever is greater), taking pride in your hygiene, dressing to impress (assume conventions are business casual until told otherwise, and ask whether there’s an awards ceremony or banquet. If you’re going to go to either, pack something a step up from your default wear). Taking care of yourself also means making sure you get alone time to de-compress when you need it. Conventions are very taxing, and if you need to skip a panel to take a nap, or just take a breather, then do it. If possible, figure out times that you can use for solo relaxation ahead of time, so you know when you have breaks available.
4) Eat socially. Meals are some of the best opportunities you will have at conventions to make real, lasting connections with people. If possible, invite a new friend you’ve made during the day to dinner, and assemble a dinner posse of a size that’s workable for your temperament (love small groups? Get a small group for dinner), and head off for some food and fun.
5) Enjoy the Bar-Con. Most genre fiction conventions have a designated Convention Bar. Writers and publishing professionals often congregate there in the evenings. You’ll see editors holding court, authors entertaining their colleagues and/or fans, and aspiring pros trading tips and making friends. You most certainly don’t have to drink, but BarCon can be a great part of a convention experience, and buying someone a drink is a solid invitation to a chat (especially if you make it clear that said drink is not the start of a pick-up attempt). As indicated above, if you’re at a convention, you already have something in common with your fellow attendees, and chances are, they will be excited to talk to you.
5a) But don’t over-indulge. Everyone has their limits, and you should know yours. If you’re effective socially when tipsy, that’s fine. If you go directly from drunk to sick, that’s bad. Or if you’re an angry drunk, that’s also bad. Know your limits, and remember that you’re being a professional.
6) Know how to open a conversation. I’ve developed a series of stock questions that serve as conversational openers at cons.
In the first day or two of the convention: “How was your trip in?” “Did you get in today?” “Are you on panels this weekend?”
Anytime: “How’s your con going?” “What are you working on these days?” (works for writers, editors, and some other publishing professionals) “What have you been excited about lately?” (this can be books, projects, movies, etc.) “Any panels you’re particularly excited about this week?”
If this is your first time at a given convention: “This is my first time at <Con>. Is there something I absolutely shouldn’t miss?”
Towards the end of the con: “How was your con?” “Were you on panels?” “What was your favorite panel?” “When are you headed home?”
7) Talk about your work when invited. Chances are, you’ll end up talking to other writers. In those cases, shop talk is expected. Ask people about their work, and they’ll probably ask about yours. When talking to readers, reviewers, booksellers, editors, etc., it’s fine to talk about your work, but do so briefly, and try to limit it to when you’re invited to talk about your work or when you’ve already talked about something else for a while. Hand-selling your book to people at conventions is not a way to make a living, and if you’re obnoxious about it, then it could have a net-negative effect of turning someone off. As with many things, there’s a balance to be found between wanting to get the word out there and not being too pushy.
8) Be generous. Praise the work you found inspirational and exceptional. Compliment people when they excel on a panel as a participant or a moderator, or ask an insightful question. Thank your servers. Tip well. Thank booksellers for supporting your work. Thank fans for reading your work. Thank reviewers for discussing your work and for supporting the genre. Thank everyone for their time when you talk with them. Wish people well and support their endeavors. The more robust sales in your genre are, the better a chance your work has of succeeding.
9) Take business cards. I still use business cards a lot at conventions. Whenever possible, I take notes of where I met someone, so that when I go back over my stack of cards the next week, I can put names & Faces to conversations. “John Steele – Talked about Indiana Jones at Sushi.” “Gina Chen – dinner on Sunday, writes Middle Grade Horror.” This way, you can follow up with all the cool people you met, sending them short emails and/or Facebook messages to say how much you enjoyed meeting them and talking about <X>. This helps cement short-term acquaintanceships into burgeoning friendships.
10) Think about making friends, not networking. If you want to be in the writing business long-term, you’re going to be around the same people for decades. So why not regard your community as a group of friends who are also business associates, rather than thinking about people first and foremost in terms of what they can do for you as connections.
#SFWApro

Tricks of the Trade: Part One (Intro)

A couple of weeks ago, while John Ward and I were wrapping up after the video interviews, he suggested that I write up my suggestions on marketing/sales techniques based on my experience working in publishing.

I liked the idea, and I’m trying to blog a bit more regularly, so here we are. And because ‘Lessons from the World of Sales & Marketing sounded boring, I decided to come up with a snappier  (or at least shorter) title. So Tricks of the Trade it is.

First, the disclaimer: this advice, like all advice, is subjective. It may work for you, or it may lead to terrible frustration and people hating you. I think it’s not likely that this advice will lead to people hating you, but you never know.

For readers who don’t know, I work in SF/F publishing – I’m the Sales & Marketing Manager for Angry Robot Books, Strange Chemistry, and Exhibit A, covering the North American territory. Before that, I was a commission sales rep with the Wybel Marketing Group, traveling around the Midwest selling the lists of publishers to independent bookstores, small independent chains, and special markets like museum stores. It was a handselling business, built on relationships and the personal touch. And before that, I’ve worked in a bookstore, a game store, and a build-your-own-stuffed-animal store. My retail and business experience has been all about that personal connection, and that informs my approach to sales & marketing even now as an author and a professional.

Based on those years of experience, I’ve developed a fairly solid sense of how I want to present myself as an author and try to make my books a success. In this series, I’ll be sharing these experiences to provide what I hope will be a useful set of ideas and approaches, specifically for selling & marketing genre fiction, and for trying to function well in a social group more broadly.

Here’s Mike’s Rule #1 for applying Sales & Marketing skills to being a successful author:

Be Nice To People

You might think – “Mike, that’s pretty basic advice.”

Well, pretty much all of my other advice stems from the starting assumption of ‘Be nice.’ Don’t be pushy, don’t be arrogant. Don’t dominate the conversation. Listen to others & tailor your approach based on what people give you in conversation.

When I was a sales rep, I was the opposite of the Hard Sell. I talked about the books on my list, foregrounded their features, but I tried to never make a book out to be something I knew it wasn’t. I argued the books’ merits, but I wasn’t That Salesman that says ‘I won’t leave until you take 5 copies of this book’. The hard sell never worked for me when I worked retail, I hate it when people use it on me, so why would I use it when I’m operating as an author?

For me, the Hard Sellis pushy, it’s arrogant, and it often relies on the socialized push to get along to pressure people into buying the Thing just to make a tense situation (the Hard Seller’s pressure) go away.

You can make some sales in the short run with the Hard Sell.

When I started attending conventions and conferences, I was the New Guy. I had a couple of friends who very kindly introduced me around, but I was still the new person, the guest.

And when you’re a guest, you tread lightly, you try not to make a bother, and you listen a lot. The first time I attended the International Conference for the Fantastic in the Arts, I didn’t know how the convention worked. I didn’t know what all was expected. So I listened, I observed, and I tried to be polite. I met people where I could, but tried not to impose myself on anyone’s time.

When you’re the new person, either at a con, in a social circle, or the person someone just met, I think it pays to listen, ask polite, genuine questions about the other people in the situation, and to figure out what you can bring to the situation to make it more awesome for the people involved. With luck, the Thing you want to sell is one of the things you can bring into the situation to make it more awesome. Especially if the situation is ‘a group of people who love books.’

By taking this quieter, more humble approach to a social group, I think it’s easier to learn about what the group’s expectations are, and to them meet those expectations. This lets you move from ‘New Person’ to ‘new member’ more rapidly and more seamlessly, and should help you build trust. And trust, for me, is a great foundation to build a sales relationship upon.

 

Sneak Preview: Part Two will be about using handselling techniques to make a connection with a potential reader/customer.

Becoming an Angry Robot

The announcement is finally here! Starting Monday, I will be taking up a post as the North American Sales & Marketing Manager for Angry Robot Books.

Official press release here – http://angryrobotbooks.com/2012/08/a-warm-welcome-to-our-shiny-new-bot-mike-underwood/

I’ll be doing the job from Indiana for several weeks, then moving to NYC to work out of the US Osprey office. I lived in Brooklyn as a kid, and have visited several times a year with my sales rep job, and I’m excited to be back in the Big Apple, but not nearly as excited as I am to focus all my energy and experience with one publishing house, serving as a brand champion for Angry Robot, Strange Chemistry (the upcoming YA imprint), and Exhibit A (a Crime/Mystery imprint coming Spring 2013).

I first heard of Angry Robot a few years back, when my dad told me about a new SF/F house that Random House was distributing in the states. I immediately loved the cover design, the clear sense of humor in the cover copy and design, and the whacky range of titles they published from the beginning.

These will be a busy few weeks — but don’t worry, Geekomancy readers, I’m still hard at work on the sequel, and will keep plugging along as fast and as best I can.

Here comes Zola

I’ve been worried about Indie Bookstores and eBooks for a while. I work with independent bookstores across the Midwest, and many of them started feeling the sting of Amazon’s growing market share even before the meteoric rise of eBook sales. But as the Kindles rolled out and eBook sales started to pick up, Indies were left in a lurch.

Then came Google, a sometimes-not-evil tech giant, partnering with the American Booksellers Association to allow Indies to sign up and get access to the Google eBooks store — for a fee of $200-300 a month, per store if the business has multiple stores. This meant that several notable independent chains, including Joseph-Beth Booksellers, decided not to opt-in to the program, leaving them without an eBook selling solution.

When Google announced it was ending the bookstore affiliate program, I got worried. The idea of Indies being shut out of the eBook sales market was troubling. There’s no reason that people who are loyal to independent bookstores but like reading eBooks shouldn’t be able to make sure their friendly local gets a cut of eBook revenue if they want.

So I was very relieved when I saw this announcement: http://www.digitalbookworld.com/2012/zola-aims-to-replace-google-books-then-take-on-amazon/

It seems like the folks at Zola have a well-developed plan for building the company up as a comparable alternative to Amazon or BN.com’s online stores, and the partnership with authors could be a cool feature. I hope that they’ll be able to deliver, that Indies will be able to opt-in with much less overhead costs, and that they grow into a strong alternative to the established online eBooksellers. Amazon has a very sophisticated system that they’ve streamlined over years, and a lot of their success comes from aggressive and smart business practices. But I’m wary of any one company getting too much control of an industry, and Zola might help spread the market around a bit more.

Friday Morning Round-Up

The release week whirlwind continues! I’ll try to round up some of the greatest hits here for folk that haven’t been glued to their Twitter streams (you know, sane and normal people living their lives and not obsessing over their first book release, natch.)

Geekomancy now has several reviews across the eTailersphere, including this one from Publishing Iconoclast, Evil Wylie:
http://www.amazon.com/review/R34154ARB58LFY/ref=cm_cr_dp_title?ie=UTF8&ASIN=B007SNRRP8&nodeID=133140011&store=digital-text

For any readers out there — the more reviews the book the has, the easier it is for readers to know if they’re likely to enjoy the book. So if you’ve read Geekomancy and feel like reviewing it on BN.com, Amazon, iBooks, Google, Goodreads, etc., I would be very appreciative.

I also had the chance to guest blog at the journal of Mary Robinette Kowal, talking about My Favorite Bit in Geekomancy:
http://www.maryrobinettekowal.com/journal/my-favorite-bit-mike-underwood-talks-about-geekomancy/

The Reading Room has an exclusive on sampling the third chapter of Geekomancy. This means you can now read three chapters of Geeky Goodness to see if the book is going to be up your alley.
http://www.thereadingroom.com/geekomancy/bp/5746247

The novel has been hanging out in some pretty sweet positions on the sales rankings, which I hope will continue to help with exposure.

And, speaking of exposure, here’s a special ‘Mike’s Vicarious San Diego Comic-Con Awesome’ glimpse of Geekomancy at the convention. I may not be there, by my book is!:

 

Clarion West Write-a-Thon 2012

For those of you who don’t know, I attended the Clarion West Writers Workshop in 2007, and it was a huge boost to my writing career. Clarion West allows writers to focus on craft and critiquing for six weeks. Most writers are urged to write a story each of the six weeks as well as critiquing 3-5 short stories by their classmates each day during the week. It’s often described as Boot Camp for writers, and while I haven’t done a military boot camp, my Clarion West experience was certainly a crucible. I’m still applying and re-interpreting lessons learned at the workshop, and Clarion West also gave me a community of peers, most of whom I’m still in touch with and some of whom I see once or twice a year at conventions, keeping up and basking in one another’s successes.

Digression for plugs — Success like Cassie Alexander’s NIGHTSHIFTED, first a three book (and counting!) series about a nurse that works in the paranormal ward of her local hospital; David Constantine’s PILLARS OF HERCULES, a Roman Steampunk action-adventure novel that includes Steam Engines, a Possibly-Divine Alexander, and the secrets of Atlantis; Melinda Thielbar’s MANGA MATH series of manga  about kids in a dojo that have to use math and martial arts to solve mysteries; and others!

I wrote my first salable novel after Clarion West (though it hasn’t sold yet), and I’ve tried to keep some connection to the workshop by participating in the Write-a-Thon most of the summers since.

For more info about the Clarion West Write-a-Thon, head here: http://www.clarionwest.org/writeathon

I’ve pledged to write 10,000 words and am hoping to raise $150 this year. My participant page is here, in case you feel like sponsoring me. 🙂

http://www.clarionwest.org/writeathon/michaelrunderwood

First Blurb for Geekomancy

Today, I got the first blurb for Geekomancy! And it’s a doozy, if I do say so myself.

“If Buffy hooked up with Doctor Who while on board the Serenity, this book would be their lovechild. In other words, GEEKOMANCY is full of epic win.”
– Marie Lu, author of the Legend trilogy
This is me doing my happy author dance. Those who have seen the ‘There Will Be Flail’ video will have a good idea of what said dance looks like.
We’ll be able to use this quote on the cover, at the various websites, etc. Cover blurbs are a great way to give a snapshot of what is worth getting excited about in a novel, and they help draw in the audiences for established/popular authors to build buzz. We’ve got a few other leads out for blurbs, and I hope the novel connects with some of the other folks reading as well.

2012 Debut Author Challenge and Sequel Musings

I’ve been invited to participate as a featured author in the 2012 Debut Author Challenge at The Qwillery.

I followed the DAC a bit last year, and have had author friends featured last year and more folks featured this year.  I’m excited to participate in this conversation, sharing thoughts about Geekomancy, writing, and whatever else comes up.  My presence there is currently slight, since I don’t have a cover or locked-in pubdate for the book.  But as that info comes in and I get approval to unleash it on the world, you’ll find it there as well as in all of my other social media presences.

This week, in addition to flailing in excitement over the deal, I’ve been thinking about possibilities for the second book in the Geekomancy series.  Adam and I will be talking this coming week, and I’m very excited to chat about future possibilities for the series — I’ve never written a sequel before, so it’s going to be a great challenge to take the same core concept and fun characters which caught so much attention with Geekomancy and take it up to the next level, with new characters, new stories, and new geeky jokes and references.

‘A New Generation of Rep Groups’ at PW

I’m quoted in a story at Publisher’s Weekly — talking about being a second-generation bookseller (I’m at the end of the story).  It’s interesting for me to see what quotes and topics were chosen out of an hour-long interview.  It was a fun process, and of course my grand ambitions are to be quoted there many times in my life, including more as a writer.

http://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/47745-a-new-generation-of-rep-groups-.html

 

I haven’t seen the print version yet, so I’ll keep an eye out for that during my travels this week.