After a long hiatus, the Star Trek franchise returns with the J.J. Abrams-directed re-launch film, written by Roberto Orci and Alex Kurtzman.
Following a Ultimates-kind of model (Marvel’s re-imagining re-launch of classic Marvel properties such as Spider-Man, The Avengers, The X-Men), the new film takes the chance to re-introduce the classic characters of the original series in a way that allows for new growth and storytelling less bound by decades of continuity.
Star Trek is commonly known for its sociological SF slant, but this film is a pure character study. We follow James T. Kirk (Chris Pine) and Spock (Zachary Quinto) through their pre-histories and their paths through youth into adulthood and the foundation of their friendship. Pine succeeds in capturing the swagger and cunning of Kirk without hamming it up too much, and Quinto’s Spock excels at displaying the conflict between his Vulcan and Human sides. Each member of the cast had the chance to shine in their area, but were also depicted as vulnerable and imperfect.
The design aesthetic for the new Star Trek is the love child of Apple and the new Battlestar Galactica. It’s shiny on top and gritty on the bottom, combining the dirty functionality with the pristine shine. The future is not white-washed or sterile, but it does have the shine of optimism. The graphics were breathtaking, re-capturing the ‘Sense of Wonder’ mode of SF visuals which has been so central to the genre’s cultural impact.
Eric Bana’s Nero is a singularly driven villain who, along with Spock, ties together the plot twists that give us the new continuity. Nero may not go down as one of the franchise’s best villains, but he was compelling in his own right.
The pacing was tight, with slow moments spaced out here and there to give moments for character notes, but the majority of the film was an unrelenting roller coaster ride.
Star Trek is an exciting, accessible, fast-paced character-heavy film that requires no substantial knowledge of the franchise to enjoy, but is clearly a part and doing homage to the long-established Star Trek universe. Critical acclaim and likely box-office success mean that a sequel following the same continuity is very likely, and may also provide support for a new Star Trek television series. Heroes producer and Pushing Daisies creator Brian Fuller has already expressed strong interest in helming such a property, and with the ending of Battlestar Galactica, the role of ‘Best SF show on TV’ is open for competition once more.
Final verdict: Go see it. See it if you’re a Trekker, a casual fan, a SF aficionado, or if you just want a fun two hour ride of a film.