Return to Geekomancy

Following on the enthusiasm and energization of World Fantasy, I am plunging back into work on Geekomancy, my super-nerdy Urban Fantasy.  The crap fairies replaced my solid first draft material with crap, but they’ll do that.  I’m growing more comfortable with my process, modifying my expectations so that the first draft is only expected to be the draft where I throw lots of energy and ideas at the page, getting the metaphorical clay onto the wheel so that I can later spin it into something awesome.

I’m currently at 62K, since I was waylaid by a terrible allergy attack yesterday and got nothing done.  I know there’s a big chunk I need to put in to introduce a character, but first, there’s a big throwdown which will involve blasters, ‘quilted mail’ made out of old convention shirts, and tall shelf-stacks full of other geeky memorabilia.

Thanks to one of the singles from “Ceremonials,” the new Florence + The Machine album, I have the theme for the ending of the novel, now I just need to get there.  I’m guessing that I’ll need another 20-30K of draft to get to the end, including going back and writing in an important character earlier.

 

World Fantasy 2011

I got back from World Fantasy late last night.

This was the fourth WFC that I’ve been to, and the third in a row, following San Jose and Colombus.  This year the con was in San Diego, which was pretty good for temperature, but it was dry as hell (maybe not hell, but dryer than the midwest).

This World Fantasy was a big one for me: I performed my first two fiction readings at a convention, with a personal reading and participating in a group reading.  I also pitched Shield & Crocus to a couple of editors and spent good time talking and brainstorming with client publishers Night Shade Books, Prime Books, and ChiZine Publications.

Reading:

My reading was in the first programming slot on Thursday (3pm) which turned out to be great, since many of my friends/colleagues from the Codex Writers Group were in attendance, as well as some personal friends (Scat Hardcore in the house!).  I rehearsed last weekend and got feedback from my brilliant girlfriend Meg, and was prepared to bring the awesome.  I read most of the first chapter of Shield & Crocus, since I’d just finished the big revision, had it fresh in my brain, and wanted to push the novel to help with things like pitching to agents/editors and such.

Thanks to practice, and my years of training as a performer (gamer, dancer, singer, sales rep), it went marvelously.  I had sound effects and robot voices.  I realized just after banging the wall behind me that maybe the people on the other side of the wall might be disturbed, but no one complained and it had a great effect on my audience.  I’m very happy with that as the first of many public readings in my career.  The group reading went well also, though I had barely 5 minutes due to a scheduling mishap.  There I read from “Last Tango in Gamma Sector,” and didn’t have enough time to get to the emotional breakup scene, but the audience seemed to be amused by the awesomeness of tango-piloted starships.

Social:

Each year, socialization gets easier for me at WFC, since my circles of friends and acquaintances grow after every convention.  Most delightful was seeing my friends from Bloomington, the Scat Hardcore crew who have scattered to the four winds, off to the Bay Area, Delaware, and the Big Apple.  The five of us had dinner on Saturday, and it was lovely.  Second best was continuing to hang with the Codex Writers posse, meeting new people and re-connecting with others.

Professional:

I wear two hats at World Fantasy:  Writer and Sales Rep.  Having the sales-side experience has been great for my ability to contribute to conversations and present myself as a publishing professional, since I have something that lets me stand out from other aspirant and neo-pro writers.  I met several folks on the Night Shade Books staff that I’d communicated with through email but hadn’t talked to in-person, which was great, since my gig on the sales side involves working with people in all departments of a publishing house: editorial, publicity, marketing, sales, and so on.  I also met the main editor for Prime Books, and chatted with the Prime folks on strategy and publishing trends.  I got to check in with the folks at ChiZine Publications as well, and am very excited for their upcoming titles as well as their World Fantasy Award nomination (they didn’t end up winning, but even a nomination is a big honor for any press).

The big win on the writer side was that I’d decided to try to find opportunities to pitch Shield & Crocus to editors, and managed to do so twice, each with presses that have put out work that I greatly admire.  I think either could be a good home for the novel, and I’m looking forward to their responses.

Comic Talk

With the DC New 52, I decided to get back into comics-buying on a regular basis.  For the last few years, I’d been only following a few series, mostly ones put out by my company’s client publishers.  This meant I read Dark Horse, Image, IDW and a few other publishers’ series, but not much more.  I grew up reading comics, though, and I kind of missed it, especially getting to geek out with friends about comics on a regular basis.

So, I took the plunge and subscribed to a handful of New DC comics, as well as nibbling around the edges of a few other series and titles (Marvel’s Generation Hope, X-Men Schism, and now ReGenesis).

My favorite of the new DC series are:

Action Comics:  This is a huge callback to the very first version of Superman, where he was a one-man new deal, taking on robber barons and corrupt officials.  I find this extra-resonant considering the economic climate and the Occupy Wall Street Movement.  It’s nice to have Superman in tune with contemporary political sentiment, and to have him be pro-active and revolutionary rather than a staid defender of the status quo.

Batwoman: This series has gotten less reboot than many others, mostly due to the fact that the character is pretty new.  I highly recommend the first Batwoman trade, Elegy, which seems to be entirely preserved in the New DC.  The new series gives Batwoman a sidekick and puts her in opposition with most everyone else in Gotham, pursuing her own agenda.  The art here (by J.H. Williams III) is phenominal, and pretty much worth buying by itself.

Animal Man: I am really liking this one, though it feels more like a Vertigo title than a straight-up DC title.   The importance of Buddy’s family is pushing this title over the top for me, along with the striking art style.  This is a series you could read pretty well independent of the rest of the DCU and probably be happy.  Special shout-out-recommendation to old Vertigo readers or Sandman fans.

Batgirl:  Barbara Gordon resuming the mantle of Batgirl ruffled a lot of feathers, since as Oracle she was a rare differently-abled/disabled (pick your term) superheroine.  Barbara was crippled in the classic story arc of Batman: The Killing Joke, and in the New DC, she has gone through physical therapy and resumed the mantle of Batgirl.  Simone’s writing here is solid, and the art by Adrian Syaf is well-done, corresponding with the ‘superhero costumers are armor’ paradigm.

Demon Knights:  This is a straight-up action-adventure/sword & sorcery comic starring magic/occult heroes from DC that would have been around in a medieval setting.  Aside from the actual D&D comic, it is the D&D comic.

More to come later.  The problem with reading individual issues again is that it is a lot more expensive than buying trades.  After the first arcs of these DC reboots, I’m likely to subscribe to the trades and back off my weekly purchases to save some $.  But right now, I really enjoy having my weekly pilgrimages to the nerdery.

Look! Shiny!

I’ve decided to try out a new theme for the blog — I’m still working on making all of my social media things line up — I’d love for this blog to post to my personal LiveJournal, but haven’t put the time in making that go yet.  Mostly because when I have a fair bit of free time, I’m trying to focus on writing.

My current project, while I wait for readers to get back to me on Shield & Crocus, is trying to expand and finish a flash piece I wrote this summer.  Said story is making moon eyes at me and asking to become at least a novella, but it is forbidden from doing so.  Stay good, story, stay good!  I don’t need more long-form projects right now, you hear?  I’d love to keep it under 4K, but I at least want it to stay a short story instead of becoming a novelette (as novelettes over 7000 to 7500 words are much harder to place).

The World Fantasy Convention is coming up, and my excitement grows day by day.  It looks like I’ll be participating in a Crossed Genres reading, sharing a selection from “Last Tango in Gamma Sector,” which appeared in issue #19 of the magazine.  It will be my first author reading at a convention, which is a big excitement multiplier.

Currently Reading: The Master and Margarita by Mikhail Bulgakov (one of Meg’s favorite books)
Currently Playing: Deus Ex: Human Revolution
Currently Writing: “Evening Dawn”

Shield & Crocus — MASSIVE EDIT edition

After some very constructive comments in a revise-and-resubmit agent rejection, I’ve started a gigantic thorough revision of Shield & Crocus.

Objectives of MASSIVE EDIT:

1) Re-write all 1st person present chapters into 3rd person past tense.  Yikes.
2) Re-write all 3rd person present chapters  into 3rd person past tense.  Not as bad.
3) Focus on characterization, drawing out the POV character’s thoughts and distinguishing them from the more neutral narration/description
4) Punch up the pacing whenever needed, cutting material that doesn’t both move the plot forward and advance character.
5) If possible, add 5-10K words of enriching description and monologue.  This will take the manuscript from 90K to 95 or 100K, which are happier wordcount points for trying to sell the novel.  I’ve already written at least 8K of new material, but I’ve cut about 4K of weaker scenes as well.

I’m 338 pages in, with the document currently standing at 446 pages and 94.5K words.  I hope to be done with the full re-write by the end of this month.  My awesome girlfriend Meg has been my first reader for this re-write, and her input is fantastic.  I hope to get a couple of writer friends to read it between now and mid-October so I can make any needed tweaks on pacing or characterization to help it break through for readers.

Ultimately, I want it to be shiny and fully awesomeified by the time I attend the World Fantasy Convention in San Diego at the end of October.  That way, I can talk it up to editors and agents when appropriate.

Musical inspiration for the MASSIVE EDIT brought to me by the album “Invincible” by Two Steps From Hell, the soundtrack to the video game Bastion by Darren Korb, and Jonathan Coulton’s new album, “Artificial Heart.”

Write-a-Thon Report: Week Two

My first Write-a-Thon story is done, with a bit over a day to spare. “Can You Tell Me How to Get…” ended up clocking in at 5,600 words, more than expected or intended.

I’m still not very good at writing shorter stories. I will see about getting either tale #2 or #3 to be under 4K (many venues like stories under four thousand words, including some notable semi-pro and a few pro markets).

It will need a lot of revision, but it’s done. This is actually the first short story I’ve finished since Clarion West, since I’ve been focusing on novels. Two more to go!

‘A New Generation of Rep Groups’ at PW

I’m quoted in a story at Publisher’s Weekly — talking about being a second-generation bookseller (I’m at the end of the story).  It’s interesting for me to see what quotes and topics were chosen out of an hour-long interview.  It was a fun process, and of course my grand ambitions are to be quoted there many times in my life, including more as a writer.

http://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/47745-a-new-generation-of-rep-groups-.html

 

I haven’t seen the print version yet, so I’ll keep an eye out for that during my travels this week.

The Win of Indies and Paid Author Events

I have the privilege of working with several dozen of the Midwest’s finest independent bookstores, and in the two+ years I’ve been repping, I’ve seen a number of habits that these indies are using to hold on and serve their communities while Amazon.com gobbles up more of the market, while eReaders go mainstream, and while the big chains go through their own drama.

Here are some of the most important things that good indies do right (IMHO):

The Personal Touch — I have booksellers who know all of their regular customers by name, with personal relationships and investment in the customers’ lives.  When I go in to sell my new lines, these booksellers already have buyers in mind for books as they order them from me, maintaining a strong revenue stream by offering A+ customer service, acting as personal reading consultants to these avid readers.  That high level of handselling mastery and individualized service is something that, I think, simply cannot and probably will not ever be really matchable by digital bookselling.  Even if you have a relationship with a bookseller or blogger online, the in-person ongoing connection, with the bookseller-customer relationship growing into a friendship performed through direct interaction is a singular and marvelous thing.

The Thirdplace Effect — Digital bookstores are space-agnostic — they exist everywhere with an active internet connection, but they don’t have their own cafes, they don’t have cozy chairs or connections to a  local theatre to host a large author event.  Some of my best bookstores are also some of the best community centers, drawing people for the environment they create and maintain — often with a cafe, and always including great partnerships with local organizations, local authors, book clubs and book groups.  As a teen, my after-school hangout was a game store (The Game Preserve in Bloomington, IN), and much of why I loved that store was the way that it served as a community center for geeks of Bloomington.  Bookstores do that for readers, writers, and other groups.  Online relationships can be strong, but for me, online interaction with friends is just a hold-me-over until I get to see them next in person.

Giving Back — Indies make jobs locally, spend their money locally, and are invested in helping other local businesses.  Not that chain stores aren’t invested in local business, but in my experience, my indie booksellers are deeply invested in their local business bureaus, independent retailer organizations, philanthropic groups, and more.  When nearly all places online are one place, the preservation of the local is something that many people are re-discovering — trying to preserve and support local identity and local culture.

 

So when I see people complaining about independent bookstores charging for author events (http://www.edrants.com/paid-author-events-the-future-of-independent-bookstores/), I ask readers to remember everything indies do for the community, and that the real price for a bookstore to run an event is very high.  In times where many booksellers are overworked and fighting to keep the lights on, I’m happy to buy an author’s book to get into a signing/reading, or to pay a cover to give back a little to the store so they can keep hosting awesome authors and being community centers.

What if you already have the book they want you to buy?  Give it to a friend and share the awesome.  Especially since you can probably get that book signed and personalized to the friend, making it a fantastic gift.

 

Ok, that’ll do for now.

*Steps off of Indie Bookstore Cheerleader Soapbox*

Write-a-Thon Week One

As I previously mentioned, I’m participating in the Clarion West Write-a-Thon, which runs concurrently with the 2011 workshop in Seattle.

My first story for the Write-a-Thon is “Can You Tell Me How To Get…”, a post-apocalyptic cyberpunk muppet story.  Yeah, that’s right: muppets.

We’ve hit our participant goal, now we’re looking for sponsors to support one or more writers while we toil away for the next six weeks, sculpting awesome out of pure nothing, fueled by caffeine, madness, and whatever other sins the various writers use for inspiration.

Here’s a short teaser from the story-in-progress:

“Can you tell me how to get to Paprika Place?” Charlie would ask.  The ones that remembered him from their TV days would shake their heads politely.  They’d been viewers once, tuning in every afternoon to learn their letters and numbers.  The younger ones, or the ones whose parents had worked for The Mouse or CapeCo, who’d been forbidden to watch Bunco’s shows, they would just recoil from Fluffasaurus and run back to their houses.  Then the guards would come in their sharp black suits and sunglasses and ask him to move along.

Remember kids, don’t talk to strangers!

Clarion West Write-a-Thon

I attended Clarion West in 2007 and it was a fantastic, transformative experience.  Those six weeks constituted a quantum leap forward in my writing skills and the work started there continues to bear fruit years later.

And so, when the Write-a-Thon comes along, I feel very strongly about participating.

But what’s a Write-a-Thon?  Simply, it’s similar to any other Thing-a-Thon (Walk-a-Thon, Dance-a-Thon, Pankration-a-Thon), where participants will ask for sponsors, and pledge do so some thing.  In this case, I’m pledging to write three new short stories during the six-week Write-a-Thon, and I’m looking to collect pledges which will go directly to support the Clarion West Foundation to provide scholarships to writers and to fund the workshop.

My participant page is up at the Clarion West Site: http://clarionwest.net/events/writeathon/MikeUnderwood

So if you are willing and able, I’d love if you could sponsor me for the Write-a-Thon, or sponsor any of the other awesome writers who are participating: http://clarionwest.net/events_page/write_a_thon#wat-list

I’ll be posting updates about my writing progress here, so you’ll be able to follow my trials and tribulations, trying to produce awesome fiction while traveling around the Midwest selling books.