Never Forget – How Could I?

On 9/11, I was a brand-new Freshman in college. My adulthood has been formed in a number of ways by that day.

I remember waking up and checking news on a Legend of the Five rings blog site and thinking it was a hoax at first. Then spending hours going down internet rabbit holes, needing to know more.

My one class that day spent the first 60 minutes just trying to process what had happened, and our teacher, excellent as she was, wove it back into the subject of the class, on international relations (The West and China, in the class’ case, but it worked).

That night, the dorms at Indiana University had impromptu group grief counseling sessions. Walking back to our dorm, I remember talking with a group about how if we don’t want this to lead to a war, we should contact our representatives, tell them to find a peaceful solution. That didn’t exactly pan out.

Not long after that, I borrowed The Hero With a Thousand Faces and The Power of Myth from the library, which set me on the path of designing my own major (Creative Mythology) out of a need to tell stories, perhaps derived from a desire for some kind of control, to be able to make sense of the world. That major then put me on the path towards becoming a novelist, of going from ‘I want to write fiction some day’ to ‘I am going to start doing this thing, now.’

Would I have still become a writer without 9/11? Probably. But that day, the effects it had on the USA as a country, psychologically, socially, politically, economically, have created the world that I live in.

“Never Forget.” I’m part of the 9/11 generation. How could I ever forget? All I can do is try to move on.

Justin Landon’s Call to Action

At WorldCon, I had the pleasure of meeting Justin Landon, the man behind Staffer’s Book Reviews. Justin is, for my money, one of the most astute and rigorous reviewers active in SF/F right now, and while that terrifies me as a writer, I think he brings a great deal of passion and insight to the community.

Justin and I were both on a podcast recording about WorldCon, and after the mics turned off, the talk turned to action items – what we as members of the community can do to move forward, to embrace the changes in the makeup of an expanding and evolving fandom.

I’m very glad to see that Justin has already started moving on the ideas. Please head over to Staffer’s Book Reviews and check out his post-WorldCon/Hugos post, and especially the part at the end.

Embrace the Constraints

OR

“The Folly of the Journeyman”

 

So, here’s something I’ve noticed this the last few times I’ve been in a classroom atmosphere *not* as a teacher – I’m becoming something of a bad student.

I’m moving into the stage of my life where the times I’m a teacher are equalling or sometimes outnumbering the times I’m the student. And being a good student requires beginning from the premise of “I don’t know better, I should listen,” which is hard when the rest of the time you’re teaching from the premise of “I know something worth sharing, I should speak.”

This whole post was inspired by a student moment I just had last week, but I’ll go back to an older one, first.

When I lived in Queens, the only renaissance martial arts group I could find was the Martinez Academy of Arms, which has a *very* different learning culture than the one I was used to in the SCA. At the Martinez Academy, you do what the Maestro says, when he says it, and nothing else.

Problem is, I knew enough about fencing already to want to move past the basic stuff and get on to the other, cooler bits. The Maesto had me start with several weeks of stance, walking, and completely constrained plays, despite the fact that I’d been a competitive renaissance fencer for five years. I got no special treatment due to having a background. Yes, I’d already studied historical martial arts. Yes, I’d had success as a competitive fencer. None of that changes the fact that properly lead drilling where the objective and process is well-explained is an important way to develop skills in isolation to later integrate into your overall approach. The Maestro’s way was not my way, and I was paying for the Maestro to teach the Maestro’s way.

The lesson I had to learn there was to stop trying to jump ahead, and to let my focus dwell on the constraints and the focus, not on what might come next. There is value in going over the basics, and I struggled against those constraints, depriving myself of the best learning experience.

And just last week, I was doing a writing exercise in a group class and wrote past the constraint, instead of keeping the constraint in the forefront of my mind. In this case, it was a small violation (we were told to show emotion from a character POV and only use three sentences. I used four), but it was still a failure to embrace the constraint, to let that one variable dominate.

Isolating variables and focusing on constraints is, I think, a great way to develop a specific part of a skill set, whether it’s in writing, martial arts, or whatever. If you can make time to do those admittedly artificial exercises, where you know that it’s not how thing usually work, but you’re doing the drill because it lets you form good habits, I think it can have a great effect. It’s not something I’ve ever been too good at as a student, even though I teach it as an instructor. My brain wants to roll everything together, to always be integrating everything at once.

I need to be better about embracing constraints so I can up my game, both in writing, martial arts, and in training myself into better professional behaviors, interpersonal behaviors, everything.

What constraints to you struggle against that you could be embracing? How do you check yourself when that happens?

#SFWApro

Indies First

Sherman Alexie just proposed something that I think is super-cool, and I might try to pull off, myself.

Read here:

http://www.bookweb.org/indies-first

 

Read it? Cool.

Being a former bookseller, this idea is totally up my alley. When I worked retail, I loved the one-on-one interaction, the fun of getting to know someone enough to learn their aesthetic, or the one they were shopping for. There was nothing quite as cool as finding the exact right game for a family to play at a holiday, or connecting a reader with their next favorite book.

Alexie’s post has a slightly mercenary angle to it, in the ‘if you hand-sell a bunch, you will sell your own book, too’ kind of way. Not that there’s anything wrong with that.

Thing is, there aren’t, to my knowledge, Indie bookstores in Baltimore that have a SF section substantive enough for me to be useful that also sell ebooks. Only a small # of indie bookstores have partnered with Kobo to sell epub ebooks – the strategy for indie ebookselling is still emerging, since the current math makes it counter-productive for most indie bookstores to spend time selling ebooks when they could be encouraging print book sales.

Alexie’s idea is a sound one, but how well does it apply to me? I’d still love to do it, since for me the main objective is to show my support for indie bookstores, which is strong.

 

But my perspective speaks only for me. This idea brings up lots of questions based on the different roles in this proposed scenario.

To my author friends – Would you do this? What’s your take on hand-selling? Do you like it? Fear it?

And booksellers – Would you have an author come into your store? How would you use them?

And bookstore shoppers – Do you like being hand-sold, or do you like to hunt for books on your own? How would you react to an author offering to help you find books in their genres of expertise?

Madeline Ashby On WorldCon, Age, and Futures of Fandom

Angry Robot author Madeline Ashby made a blog post about WorldCon’s “Greying of Fandom Problem.” It’s very smart, and you should go over and read it if you haven’t.

An excerpt:

Let me put it another way. The demographic shifts faced by WorldCon’s largest customer segment are the same ones faced by the Republican Party. Let that sink in for a minute. Really let it marinate. These are the same people who cheered me when I talked about Canada’s healthcare plan, and applauded Mark Van Name when he blamed rape culture for America’s ills. They want to be progressive, but they’re being blindsided by the very same demographic shifts afflicting the most conservative elements of contemporary society, for exactly the same reason: they haven’t taken the issue seriously. This is why there isn’t a Hugo for Young Adult novels. Because God forbid we reward the writers who transform young genre readers into lifelong customers at a time when even Bruce Sterling says the future will be about old people staring at the sky in puzzlement and horror.

 

 

Read the whole post here.

 

For folks who went to WorldCon – what do you think about this demographic situation? Is this something WorldCon should address? How? It’s easy for writers to say ‘Hey, this con needs to bring in younger people so my writing has a future!’ but what can we as writers do about it? What can bloggers, reviewers, editors, and other industry professionals do?

Generation One Kickstarter – Guest Post

Dear all,

Today I’m handing the reins of the blog to my friend Steven R. Stewart. Steve and I met at World Fantasy in San Diego, and he quickly impressed me with his generosity, his curiosity, and his humor. I was very excited to see that he’s launched an already-successful Kickstarter to tell the tale of the first generation of children raised on Mars. I think this is the kind of SF we really need – a return to an optimistic, youth-oriented future, where the future is something great and exciting, not dark and terrifying.

In the last day of the Kickstarter, they’re pushing for a cool Halloween bonus issue.

Here’s Steve:

As I write this, I’m sitting by a window that overlooks my grassy lawn—a carpet of organic solar panels that turn sunlight into sugar—and the busy residential street beyond. A steady flow of traffic­—human beings in wheeled metal boxes—comes and goes a little too fast for my liking. I have kids, and they play in this lawn, near this busy street. I love my little girls; I don’t want them to break, to go out like a candle, to stop being.

It is night, the moon is out, and I think to myself how crazy all this is. That’s a real place, that ball of white up there in the sky, a place I could plant my feet, draw in the dust with the toe of my boot. It’s not hypothetical. It’s not an idea. It’s really there.

Near the moon, a faint pink dot hangs in the starry sky. It’s a real place too, a red planet, our next door neighbor. It’s so small, so easy to miss, and we could go there.

One day, if we can muster the courage, we will go there. We will live there. As NASA director Mike Griffin said, “One day…there will be more humans living off Earth than on it.” I agree, and I think that’s the way it should be. Earth is just a dot, “a mote of dust suspended in a sunbeam,” all too easy for some cosmic cataclysm to swat out of the sky. If we want to continue surviving in this absurd, beautiful universe, we have to strap on our pioneer hats and get to work.

So here I am, a 29 year-old fiction writer with two kids and a wife, and zero background in science, mathematics or engineering. How can I help bring this bold future into being? How can I pitch in, or at the very least, cheer on the men and women who can? How can I cheer my loudest?

Generation One: Children of Mars is my attempt to do just that—to create a smart, accessible piece of entertainment that will hopefully encourage young people to look up at that pink dot in the sky and think big about humanity’s future in space. It’s a comic book about kids growing up on Mars and discovering what that means, and what it costs. You can learn more by watching our project video here.

My team and I launched the Kickstarter on August 6th, and so far, the public response has been overwhelming. People are hungry for this kind of story, far hungrier than I had realized. They want the same bold future I want, and that gives me hope. Because once we believe it’s possible, it will be.

We’ve been lucky enough to secure the endorsement of Dr. Robert Zubrin, author of “The Case for Mars” and President of The Mars Society. He had this to say about the project:

“Someday Mars will have its own Laura Ingalls Wilder to tell the tale of growing up on the new frontier. But with ‘Generation One: Children of Mars,’ we can experience some of that story now. It’s going to be great.”

There’s only a handful of days left in the Kickstarter. Join us. Come alongside us as we tell this story; be a part of our journey. It’s the same journey humanity has been on since the beginning: a quest to spread out and survive, to understand and grow, to become more than what we are.

Let’s add to the discussion—and have some fun in the process. We’re human after all.

And a cool poster for their final stretch goal:

Poster for Generation One Halloween issue.

Poster for Generation One Halloween issue stretch goal

 

 

WorldCon 2013 – I Left My Liver in San Antonio

What a week!

 

This picture could serve to sum up my time at WorldCon:

Mike Underwood on the Iron Throne of Westeros

On the Iron Throne at WorldCon

 

This was my second WorldCon, once again attending in my Angry Robot guise. Senior Editor Lee Harris and I rocked the AR booth all weekend, connecting readers to their new favorite books, introducing our 10 attending authors to new readers, and waving the flag.

We also announced the US Clonefiles program, which you’ll be hearing much more about soon. Mostly, I want to make sure everyone knows that we got there first, and that Amazon almost certainly but at least possibly stole our idea. 🙂

Other highlights included meeting a flobbidy-jillion writers, readers, and fans, participating on panels with friends, colleagues, and exemplars of fandom, drinking many margaritas (!!!), as well as several incredible parties. I’ll talk about those individually below.

 

BookSworn – The Booksworn are a group of Fantasy & Science Fiction authors, including several friends. Their WorldCon party had one special theme – eat a bug, get a book! I think it’s a great idea to have a special Thing for a party, something that’s not just ‘This group is cool! Come drink our booze!’ I ended up eating two bugs, since the Official Photographer Writer of Record didn’t get a pic of the first bug I ate. Perhaps it was just bad luck, or John Hornor Jacobs decided to torture me. 😉 I also got the chance to meet several writers I’ve been following and/or impressed by, including Katy Stauber (whose book REVOLUTION WORLD is super-fun), Zachary Jernigan, and others who I have clearly forgotten in my post-WorldCon haze.

 

Drinks With Authors – This party was the fever dream of author Myke Cole, blogger Justin Landon, and r/Fantasy overlord Steve Drew, and was my favorite party of the weekend. Here’s why – it was all about introducing authors with new readers. In addition to raffles for big stacks of books, the co-hosts were also roving the party with a giant inflatable d20, using a D&D combat frame as an excuse to give away free books and introduce the books’ authors to the winners. It also helped that the party was completely hopping, and full of very cool people.

WorldCon Schedule

LoneStarCon aka WorldCon is next week, and I’m peeking my head up out of the weeds of ‘Oh crap last minute preparations! Send that laser rifle bardcode scanner overnight or it’ll never arrive in time!’ preparations for Angry Robot to share my schedule.

Most of my weekend will be spent behind the tables at the Angry Robot booth, where I’ll be meeting readers and shilling the fine works of SF, F, and WTF? from Angry Robot and our sister imprint, Strange Chemistry (a YA imprint specializing in Experimenting With Your Imagination).

But here’s my panel schedule:

The Future of the Small Press

Friday 13:00 – 14:00

 

Gary K. Wolfe (M), Kaja Foglio , Michael Underwood, Darlene Marshall, Neil Clarke

Geeks in Popular Culture

Saturday 10:00 – 11:00

The changing portrayal of geeks in media, comics and pop culture in general.

Michael Underwood (M), Lynne M. Thomas , Jason M. Hough, Deborah Stanish

But Why Can’t You See My Genius?

Saturday 13:00 – 14:00

Let’s face it; nobody likes rejection, but every writer is going to get rejection letters at some point. Why the rejection? Why don’t they love you? Your work may be wrong for the publisher, may have arrived on the wrong day, or it may simply be the 350th angsty vampire novel the poor sorry slush pile reader has seen that week. How can you turn a rejection letter into a “hell yes!”

Beth Meacham (M), Michael Underwood, Eleanor Wood, Mary Robinette Kowal , Joshua Bilmes

The Relationship Between Reader and Writer

Saturday 17:00 – 18:00

When you write, do you start with an audience in mind? Do you interact with your readers as you write or after you write or never? Has social media changed what you do? What do you expect from your readers, and what is the nature of your understanding?

Sharon Shinn (M) , Kay Kenyon, Tobias Buckell, Matthew Rotundo, Michael Underwood

Autographing: Brenda Cooper, Stephen Leigh, Connie Willis, Michael Underwood

Sunday 17:00 – 18:00

Michael Underwood , Stephen Leigh , Connie Willis , Brenda Cooper

 

Let the record show that I am on panels with some crazy-awesome-big names – bestsellers, award winners, movers-and-shakers. This is both exciting and terrifying. I’m also jazzed to be on a panel with Jason M. Hough, agency-brother and freshly minted New York Times-bestselling author, and with Mary Robinette Kowal, who brought down the house with her amazing narration of the CELEBROMANCY audiobook. Plus, I’m on a panels about Geeks in Pop Culture, which is one of the topics I will gladly talk about for Hours and Hours, if prompted. 🙂

I’ll also be hitting the Booksworn party and the Drinks With Authors shindig, and dressing up to cheer on friends and colleagues during the Hugo Awards ceremony.

So if you’re going to be at LoneStarCon, please swing by the Angry Robot booth to say hi, or join me for one of these fine panels.

See you there!

Thursday roundup

Sometimes, cool stuff gets spread out over the course of a few days, or a week.

An sometimes, lots happens all at once. Today is one of those days, which is extra-funny, since I had a hard time getting to sleep. I blame the combination of Mira Grant’s DEADLINE and the Batman-in-Two-Bodies action of PERSON OF INTEREST for not being able to get my brain to quiet down until 1:30 AM. *shakes appreciative fist at engaging media*

 

Today in the world of Mike:

I returned to TerribleMinds, home of Lord Penmonkey Chuck Wendig, to answer his 10 Questions interview about CELEBROMANCY.

The inestimable Emma Newman invited me to her secret lair for Tea and Jeopardy. (Warning: contains tons of geekery).

And I wrote up my thoughts on One Year of Being an Angry Robot at the AR blog.

 

And in other cool happenings – tonight I’m going with some friends to see the RiffTrax live edition of Starship Troopers. While I enjoyed the film as satire, I am very much looking forward to what veteran comedians will make of the film.

CELEBROMANCY in Bloomington

Dear all,

I’ve just confirmed the time and date for a CELEBROMANCY event at the Barnes & Noble in Bloomington, IN.

Event info here: https://www.facebook.com/events/631320016885749/

 

Repeating that information for non-FB users:

Ree Reyes and the Geekomancers return! Barnes & Noble Bloomington is hosting me once more for an event, this time for CELEBROMANCY, the second Ree Reyes novel.

There will be a short reading, a (easier) trivia contest, and then I’ll be happy to digitally sign ebooks of either CELEBROMANCY or GEEKOMANCY.

 

Where: Barnes and Noble Booksellers 2813 E 3rd St, Bloomington, IN

When: Saturday, August 24, 2013, 7:00pm until 8:30pm

Who: Anyone that wants to come!

 

#SFWApro