The Win of Indies and Paid Author Events

I have the privilege of working with several dozen of the Midwest’s finest independent bookstores, and in the two+ years I’ve been repping, I’ve seen a number of habits that these indies are using to hold on and serve their communities while Amazon.com gobbles up more of the market, while eReaders go mainstream, and while the big chains go through their own drama.

Here are some of the most important things that good indies do right (IMHO):

The Personal Touch — I have booksellers who know all of their regular customers by name, with personal relationships and investment in the customers’ lives.  When I go in to sell my new lines, these booksellers already have buyers in mind for books as they order them from me, maintaining a strong revenue stream by offering A+ customer service, acting as personal reading consultants to these avid readers.  That high level of handselling mastery and individualized service is something that, I think, simply cannot and probably will not ever be really matchable by digital bookselling.  Even if you have a relationship with a bookseller or blogger online, the in-person ongoing connection, with the bookseller-customer relationship growing into a friendship performed through direct interaction is a singular and marvelous thing.

The Thirdplace Effect — Digital bookstores are space-agnostic — they exist everywhere with an active internet connection, but they don’t have their own cafes, they don’t have cozy chairs or connections to a  local theatre to host a large author event.  Some of my best bookstores are also some of the best community centers, drawing people for the environment they create and maintain — often with a cafe, and always including great partnerships with local organizations, local authors, book clubs and book groups.  As a teen, my after-school hangout was a game store (The Game Preserve in Bloomington, IN), and much of why I loved that store was the way that it served as a community center for geeks of Bloomington.  Bookstores do that for readers, writers, and other groups.  Online relationships can be strong, but for me, online interaction with friends is just a hold-me-over until I get to see them next in person.

Giving Back — Indies make jobs locally, spend their money locally, and are invested in helping other local businesses.  Not that chain stores aren’t invested in local business, but in my experience, my indie booksellers are deeply invested in their local business bureaus, independent retailer organizations, philanthropic groups, and more.  When nearly all places online are one place, the preservation of the local is something that many people are re-discovering — trying to preserve and support local identity and local culture.

 

So when I see people complaining about independent bookstores charging for author events (http://www.edrants.com/paid-author-events-the-future-of-independent-bookstores/), I ask readers to remember everything indies do for the community, and that the real price for a bookstore to run an event is very high.  In times where many booksellers are overworked and fighting to keep the lights on, I’m happy to buy an author’s book to get into a signing/reading, or to pay a cover to give back a little to the store so they can keep hosting awesome authors and being community centers.

What if you already have the book they want you to buy?  Give it to a friend and share the awesome.  Especially since you can probably get that book signed and personalized to the friend, making it a fantastic gift.

 

Ok, that’ll do for now.

*Steps off of Indie Bookstore Cheerleader Soapbox*

Clarion West Write-a-Thon

I attended Clarion West in 2007 and it was a fantastic, transformative experience.  Those six weeks constituted a quantum leap forward in my writing skills and the work started there continues to bear fruit years later.

And so, when the Write-a-Thon comes along, I feel very strongly about participating.

But what’s a Write-a-Thon?  Simply, it’s similar to any other Thing-a-Thon (Walk-a-Thon, Dance-a-Thon, Pankration-a-Thon), where participants will ask for sponsors, and pledge do so some thing.  In this case, I’m pledging to write three new short stories during the six-week Write-a-Thon, and I’m looking to collect pledges which will go directly to support the Clarion West Foundation to provide scholarships to writers and to fund the workshop.

My participant page is up at the Clarion West Site: http://clarionwest.net/events/writeathon/MikeUnderwood

So if you are willing and able, I’d love if you could sponsor me for the Write-a-Thon, or sponsor any of the other awesome writers who are participating: http://clarionwest.net/events_page/write_a_thon#wat-list

I’ll be posting updates about my writing progress here, so you’ll be able to follow my trials and tribulations, trying to produce awesome fiction while traveling around the Midwest selling books.

Reviews: Napier’s Bones and Among Thieves

I’ve been trying to read more this year, and my luck has been excellent (mostly due to the fact that I read things that come highly recommended or are written by friends).

So here are two short reviews of books I’ve read in the last couple of weeks:

Napier’s Bones by Derryl Murphy (ChiZine Press) — ISBN 9781926851099

This is a recent contemporary spec fic novel from Chizine, one of the publishers I represent (through Diamond).  It’s a weird, awesome urban fantasy kind of book where Math is magic.  A select number of people called Numerates can see and manipulate the numbers inherent in all things, traveling around the world to collect number-powered artifacts called Mojo.  Dom and Jenna, along with a Numerate ghost named Billy get swept up in a plot by a long-dead Numerate, and fight their way across three countries and two continents to prevent the ghosts of long-dead Numerates from seizing an artifact that would let them re-define reality itself.

I wasn’t expecting this book to fly like it does.  The pacing is fantastic, and made it a great book to read during plane travel.  The characters are decently defined, if not remarkable.  Strong plotting covers up many things, and I found myself happy to follow the leads through their weird Donald in Mathmagicland-esque adventures and throwing number blasts.  I was reminded of the tabletop RPG Unknown Armies, except the setting wasn’t as bleak.

 

Among Thieves: A Tale of the Kin by Douglas Hulick (Roc) — 9780451463906

Doug Hulick is a friend I met through the SCA, and his historical knowledge is put to amazing use in this premiere.  If you are a fan of Joe Abercrombie’s gritty fantasies or Scott Lynch’s Gentlemen Bastards books, you should definitely check out Doug’s premiere.  Among Thieves is the story of Drothe, a thief who works as a Nose, keeping tabs on other thieves (aka ‘The Kin’) and reporting to his boss.  Drothe is a sharp, morally grey character (grey at best.  He is not a good person, though he does have his own sense of honor, to his fellow Kin), but is very compelling and sufficiently sympathetic to make me happy to spend a book with him.

Drothe finds himself in possession of an artifact that if used by the wrong people, could swing the balance of power or even destroy the empire which his home city of Ildrecca is a member.  All Drothe wants to do is keep from getting shanked by the various factions maneuvering to obtain the book — either to destroy the book or use it to take power for themselves.

The two most notable strengths of this book for me are the thieves’ cant and the fight scenes.  Doug started Among Thieves after picking up an encyclopedia of thieves’ cant, and the love of language is evident throughout the book.  As the story moves along, Among Thieves masterfully enculturates the reader into Drothe’s version of the thieves’ cant, with shorthand, slang, and stock phrases.  By the end of the book, a reader can happily parse a whole paragraph where most all of the verbs and nouns are in the cant rather than the common tongue used by non-Kin.

And the fight scenes, oh the fight scenes.  Doug has studied renaissance martial arts extensively, and that knowledge grants his fight scenes a great sense of self-confidence and clarity.  The blocking and choreography of the fights in Among Thieves is some of the best I’ve read in years.

If you are looking for a fantasy romp with backstabbing, sneaking, rumor-mongering and a deadly game of ‘Where’s the McGuffin,’ give this book a try.

 

More reviews later if I have the time.  Right now I’m super-excited to start reading China Mieville’s Embassytown.

I’m not dead — but I will be published

I’ve been quiet of late here, and not for lack of things to say.

However, the last few weeks I’ve been focusing more on my fiction writing. I sold my first short story (“Last Tango in Gamma Sector”) last week, which will be published at Crossed Genres on June 1st in their issue on “Gadgets & Artifacts.”

In addition, I’ve wrapped up line edits on my New Weird Superhero novel Shield & Crocus and have started working on a synopsis while creating a list of agents to query.

This 21st Century Geek is a maker as well as a consumer of culture, and I’m trying to find a better balance of input/consumption vs. output/creation.

More pop culture ramblings will come soon, as we’re amidst a variety of season finales in TV-land.

Review: V — “Pilot”

I was too young to watch/remember the original V miniseries/ongoing series, but I learned the basic premise growing up as a geek.  I’ll be talking about stuff that constitutes as spoilers, but not really, as ABC is foregrounding the ‘Big Sekrit!’ of the V’s identity even in the previews.  Most of what I’ll talk about is the not-hard-to-find Vs = Obama reading.

The leader of the Vs is played by Morena Baccarin, a Brazillian woman whose looks are easily pushed past beauty to the edge of the uncanny valley, her mixed-ethnicity background easily positioned as ‘exotic’ from a US-American gaze.  All of the Vs who are seen in the public eye would count as attractive, and even in the pilot, the Vs are leveraging attractiveness into manipulation (one sub-plot features the FBI-Agent lead’s son being attracted to a female V played by Laura “Supergirl” Vandervoort).

The Pilot episode gets all the way to the ‘Vs are actually Lizards and trying to take over the world’ stage, with Elizabeth “LOST Juliette” Mitchell and Joel “4400” Gretsch as FBI Agent and Pastor who are witness to a V attack on a word-of-mouth group spreading word of the Vs’ real agenda.

A note — unless you go in looking for the Obama = V reading, it may be rather easy to miss/not think of it.  It’s not that the show pounds you over with it.  The show’s pacing is strong (stronger than the original miniseries in the equivalent section that I watched), and goes quickly to the ‘The Vs are tricking people, time to fight back!’ stage of the story, where our two adult leads will develop a resistance, with assistance from another lead — how quickly he’ll connect with the group is hard to tell.  Interpersonal conflict will come from the FBI Agent’s son getting deeper in bed (literally) with the Vs and refusing to accept mom’s warnings/explanations of the V’s villainy.  This is exacerbated by the fact that until the resistance can get a V corpse to show the lizard under-parts, they don’t have a very strong case.

It was great to see Alan Tudyk in the show, though I don’t think he’s listed as a full series regular.  He brought a great balance of seriousness and levity to the show, remind us how awesome an actor he is (as if we needed any more reminding after “Briar Rose/Alpha” in Dollhouse.

The new version of V seems to be written and executed in a way that invites an anti-Obama reading. The rhetoric of the pilot episode includes mentions of Hope!  Change!  Universal Health Care! and features a charismatic leader of mixed ethnicity.  There’s an interesting degree to which this version of V is a dream come true for the Fox News Opinion Show crew.  Many of the most outrageous fears about Obama are made manifest in the series — The Vs come with a message of hope and change, with people flocking to them, clamoring to be saved.  The Vs insinuate themselves into people’s hearts, but are secretly not who they say they are and will take over and destroy the world.

Basically, the premise reads like an unused script from the Glenn Beck show with space-lizards instead of Chairman Mao.  The show’s basic premise is much as it was in the 80s series (as far as I know/have read), but it just goes to show that as times change, a story can remain more or less the same but be read very differently.  It seems that the new ABC version of V is specifically written to highlight the Vs as Obama reading (the rhetoric about hope and change and universal health care),

Overall, the Pilot isn’t magnificent, but it is a solid start and I’m interested to see how this version continues and develops like or unlike the original.

Now I leave review-land and go into ‘I’m a writer-land’ — I realize that I’d be as interested or possibly more interested in a series where the aliens really were trying to improve humanity’s lot, with conflict coming from paranoia and quibbling over cultural differences/expectations between the Vs and various US cultures.  Basically, if it were a script from Keith Olbermann/Rachel Maddow instead of Glenn Beck. 😛  A story that highlights the tension between a well-meaning group with technological advantage and an ambivalent community that doesn’t want to bow to cultural demands but does want those technologies.  This presents a different metaphor, more analogous to western humanitarian campaigns in the 3rd world/Global South — where cultural imperialism comes part-and-parcel (intentional or unintentional) with humanitarian aid.

Sadly, this would probably not work as a TV show — it would lend itself much less to explosions and gunfights and the like.

Review: Stargate Universe “Air Part 1&2”

I watched the Stargate film back in 1994 when it came to theatres, and then when Stargate: SG-1 came around, I didn’t bother watching it.  I watched a season-and-a-half or so of Stargate:Atlantis, and was usually amused. But I have many friends who swear by various parts of the Stargate-verse, loving SG-1 and trashing on Atlantis, loving-but-criticizing-Atlantis and not caring about SG-1, etc.

So when I saw that there was a new, supposedly stand-alone Stargate series, I took notice.  The casting of Robert Carlyle in the lead went a long way towards getting my attention, as did the concept.

For those not already in the know, here’s the breakdown:  Stargate Universe is about a group of people who get trapped on an ancient spaceship made by a predecessor species only known as the Ancients.  The ship was designed to tour the universe, and from time to time opens up a dimensional portal (the Stargates, natch) to a habitable planet in the surrounding galaxy.  The Stargate remains open for a finite amount of time, and the ship is on auto-pilot, preventing the heroes from taking control of its route.  Using the gate to get back to Earth or to get from Earth to the ship (called the Destiny) is tremendously-plot-says-don’t-do-it difficult.  The tone seems to be substantially darker than previous Stargate series, prompting people to dub it Stargate Galactica or BattleStargate, likening it to the critically-acclaimed 2004-09 Battlestar Galactica.

The overall formula seems to be (Stargate + LOST) x (Sliders + Battlestar Galacatica) = Stargate Universe — which is certainly not a bad mixture of inspirations.

A more detailed and spoilery review follows:

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